Roger Philippon, a Lewiston native, is an understudy for five roles in the Maine State Music Theatre's production of '1776'. This means he's ready to step in at a moment's notice if any of the cast members fall ill or are unable to perform. Philippon, 70, has committed to memorizing the parts of Caesar Rodney, James Wilson, Stephen Hopkins, the Rev. John Witherspoon, and congressional secretary Charles Thomson.
What makes this particularly fascinating is the level of dedication and expertise required for such a role. Philippon, despite being a novice in professional acting, has a strong foundation in acting, having performed in over 30 productions at the Community Little Theatre in Auburn. His passion for acting began at St. Dominic Regional High School in Lewiston, and he has continued to take on diverse roles over the years.
The challenge of memorizing five distinct characters is a testament to Philippon's dedication. He acknowledges that it has been a difficult task, but his familiarity with the show has made it more manageable. He has attended numerous rehearsals and taken extensive notes to ensure he is prepared for any eventuality.
The role of an understudy has become increasingly important in the post-pandemic era of live theatre. Curt Dale Clark, the artistic director of Maine State Music Theatre, highlights the significance of having experienced performers like Philippon ready to step in. This ensures that the show can go on, no matter what challenges arise.
Philippon's expertise in '1776' is a key factor in his suitability for the role. Having performed in the musical multiple times, he has an incredible knowledge of the show, which allows him to confidently cover the five different roles, each with its own demands and nuances. This level of preparation and understanding is a remarkable accomplishment.
Despite his lack of professional experience, Philippon's talent and dedication have earned him a special place in the production. He has been treated as a cast member, fitted for costumes, and even has his own makeup table. This level of inclusion and respect from the professionals at Maine State Music Theatre is a testament to his value as an understudy.
While it is unlikely that Philippon will ultimately appear on stage, his experience as an understudy has been a life-changing opportunity. He has worked with a fantastic group of professionals and has gained valuable insights into the world of live theatre. This experience has undoubtedly contributed to his passion for acting and his commitment to the craft.
